Noi lookup database soundexchange11/9/2023 ![]() Read the entire SoundExchange comment here. ![]() But second, there’s no proof yet that The MLC’s current “data quality initiative” does not simply update the database of The MLC’s vendor, HFA.] We want to find out if there is any difference between disclaiming ownership of individual data and claiming ownership of the database as a whole. Works database is not owned by the MLC or its vendor.” First, “data” is not the same as a “database”. It’s also worth noting that The MLC has merely stated that The MLC “agrees that the data in the public MLC musical Again, you’ll rarely find any of the issues in these Copyright Office comments discussed in the trade press unless someone like The MLC issues a press release. This except from SoundExchange’s comment to the Copyright Office sheds light on the issues. SoundExchange is the authoritative source for this information and they’ve been assembling that data for many, many years. ![]() This is hardly an authoritative basis to determine sound recordings, but that appears to be what The MLC intends to do. There are different ways to do this, but it appears that The MLC wants to gather sound recording metadata (like the ISRC unique identifiers) and then map the songs to the sound recordings based on sound recording information from the services. [One of the problems that The MLC will encounter is matching songs to transaction data from the “safe harbor services” using the blanket licenses and enjoying the reach back safe harbor giveaway in the Music Modernization Act.
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